Born 1965 Melbourne, Australia
|1985-87||Currently undertaking Doctoral Degree (PhD), Monash University, Melbourne
Bachelor of Fine Arts (Painting), Victoria College, Melbourne
|1984||Foundation Year Art and Design, Victoria College TAFE, Melbourne|
|2015||Murray White Room, Melbourne
Ten Cubed, Melbourne
|2013||Murray White Room, Melbourne|
|2011||Murray White Room, Melbourne|
|2009||Murray White Room, Melbourne|
|2007||Murray White Room, Melbourne
Hamish McKay Gallery, Wellington
|2005||Hamish McKay Gallery, Wellington|
|2004||Michael Lett, Auckland
Heide Museum of Modern Art, Melbourne
|2003||Hamish McKay Gallery, Wellington|
|2002||Sarah Cottier Gallery, Sydney
Room 401, Auckland
|2000||Sarah Cottier Gallery, Sydney|
|1999||Sarah Cottier Gallery, Sydney
Patrizia Autore Gallery, Melbourne
|1998||CBD Gallery, Sydney
First Floor Gallery, Melbourne
|1997||Sarah Cottier Gallery, Sydney|
|1996||Sarah Cottier Gallery, Sydney
CBD Gallery, Sydney
|1994||200 Gertrude Street, Melbourne
CBD Gallery, Melbourne
|1993||No.135 Store 5, Melbourne|
|1992||No.108 Store 5, Melbourne|
|1991||First Draft/West, Sydney
No.96 Store 5, Melbourne
No.97 Store 5, Melbourne
|1990||No.40 Store 5, Melbourne
First Draft/West, Melbourne
|1989||No.7 Store 5, Melbourne|
SELECTED GROUP EXHIBITIONS
|2016||Spring 1883, The Hotel Windsor, Melbourne|
|2015||Spring 1883, The Establishment Hotel, Sydney
The Kaleidoscopic Turn, National Gallery of Victoria, Melbourne
Murray White Room, Art Basel Hong Kong 2015
|2014||Spring 1883, The Hotel Windsor, Melbourne
Pattern, Glen Eira City Art Gallery, Melbourne
Murray White Room, Art Basel Hong Kong 2014
|2013||Melbourne Now, National Gallery of Victoria, Melbourne
Everyday, Murray White Room, Melbourne
Murray White Room, Sydney Contemporary 13, Sydney
Murray White Room, Art Basel Hong Kong 2013
20/20 Sarah Cottier Gallery, Sydney
|2012||Drawing, Hamish Mackay Gallery, Wellington
Less is More: Minimal and Post-Minimal Art in Australia, Heide Museum of
Modern Art, Melbourne
Test Pattern, Margaret Lawrence Gallery, VCA, Melbourne
Drawing Folio 2: Ruler Pencil + Time, Blockprojects, Melbourne
|2011||GROUP04, Murray White Room, Melbourne
Let in the Light, Hamish Mackay Gallery, Wellington
|2010||GROUP 03, Murray White Room, Melbourne|
|2009||Drawing Folio, curated by John Nixon and Justin Andrews, Blockprojects,
PREVIEW 09, Murray White Room, Melbourne
|2008||GROUP 01, Murray White Room, Melbourne
Plastic Theory, Peleton, Sydney
Flash, Linden Centre for Contemporary Arts, Melbourne
|2007||Are You Being Flocked?, The Carlton Hotel, Melbourne|
|2006||21st Century Modern, 2006 Biennale of Australian Art, Art Gallery
of South Australia, Adelaide
Act Natural, Raft Artspace, Darwin
Just Painting, Auckland Art Gallery Toi o Tamaki, Auckland
|2005||Pitch Your Own Tent, Monash University Museum of Art, Melbourne
Store 5 is…, Anna Schwartz Gallery, Melbourne
www., Kaliman Gallery, Sydney
Michael Lett, Auckland
|2004||Multiples, Hamish McKay Gallery, Wellington|
|2003||Picnic, Melbourne Living Museum of the West, Melbourne|
|2003||Goddard de Fiddes, Perth
Ten, Sarah Cottier Gallery, Sydney
|2002||First Floor, Melbourne
Paperwork2, Sarah Cottier Gallery, Sydney
|2000||Floor Show, Den Frie, Copenhagen
MicroCosmos, Pb Gallery, Swinburne College, Melbourne
Crystal Chain Gang, Auckland Art Gallery, Auckland
Uncommon World, National Gallery of Australia, Canberra
|1999||Patent, RMIT Project Space, Melbourne|
|1998||No.4 Wangaratta St, Richmond, Melbourne
Sekai kara kurisumasu meseji, Gallery Chika, Tokyo
Fragments-Renga, Gallerie Ou, Osaka & Street Gallery, Kobe
Performance Space, Sydney
Ornamentalism, Institute of Modern Art, Brisbane
Geometric Painting in Australia, University of Queensland Art Gallery, Brisbane
Fragments Relations, Gallery Lunami, Tokyo
|1996||Rain drops on Roses, Sarah Cottier Gallery, Sydney
Unpainting, David Pestorious Gallery, Brisbane
Aerophost, The Debtors Prison, Dublin
|1995||Tony Clark, Diena Geogetti and Anne-Marie May, First Floor, Melbourne
Primavera, Museum of Contemporary Art, Sydney
Monash University Art Prize, Monash University Art Gallery, Melbourne
Videonale, Kunstverin, Bonn
Untitled 1994, Hamish McKay Gallery, Wellington
& Centre for Contemporary Art, Hamilton
Colour, Anna Schwartz Gallery, Melbourne
Store 5, Institute of Modern Art, Brisbane
Loop, Next Wave Festival, Melbourne
|1993||Already Painting, Sarah Cottier Gallery, Sydney
Drawings, No.128 Store 5, Melbourne
Kaleidoscope, Residence No.3, Sydney
|1992||Abstract Art, Roslyn Oxley9 Gallery, Sydney
Re/View, Gore St Gallery, Melbourne
Octopus, University of South Australia Art Museum, Adelaide
|1991||W.T. Rawleigh Building, Melbourne
Language Faith and Possibilities, 200 Gertrude Street, Melbourne
Production, Institute of Modern art, Brisbane
The Subversive Stitch, Monash University Gallery, Melbourne
& Mori Gallery Annexe, Sydney
Magasin 5, Gallerie Cannibal Pierce, Paris
No.100 Store 5, Melbourne
No.101 Store 5, Melbourne
New/Abstract, Tolarno Gallery, Melbourne
Where the footpath ends and the freeway begins, No.63 Store 5, Melbourne
|1989||Resistance, 200 Gertrude Street, Melbourne
No.11 Store 5, Melbourne
A#-20 (Photocopies), No.31 Store 5, Melbourne
Other Photography#2, No.36 Store 5, Melbourne
|1988||Vasari Revisited, 200 Gertrude Street, Melbourne
GRANTS AND AWARDS
|2003||Australia Concil Skills & Arts Development, Residency Gertrude
Contemporary Art Spaces
|1997||Australia Council Project Grant, Tokyo Studio Residency|
|1998||Arts Victoria, Export and Touring Program|
|1999||Australia Council New Work, Project Grant|
|Australian Taxation Office, Melbourne
Chartwell Collection, Auckland Art Gallery
Toi o Tamaki, Auckland Freemantle Arts Centre, Freemantle, WA
Geelong Regional Art Gallery, Geelong
Heide Museum of Modern Art, Melbourne
Holmesglen Institute of TAFE, Melbourne
Museum of Contemporary Art, Sydney
National Gallery of Australia, Canberra
National Gallery of Victoria, Melbourne
Art Gallery of Western Australia, Perth
Ten Cubed Collection, Melbourne
|2016||Ivanhoe Grammer Centenary Commission, Melbourne|
ARTIST PUBLICATIONS AND WRITING
|Store 5, No. 1-20, Store 5, Melbourne, 1989.
Artist Page, Rosebud #2, Store 5, Melbourne 1989.
Artist Page, Circular No. 1 & 3, Melbourne 1993-4.
Artist Page, Material, Sydney 1998.
Patent, catalogue RMIT Project Space, Melbourne, 1999.
Floor Show, catalogue Den Frie, Copenhagen, 2000.
Anne-Marie May, self published, Sydney, 2002.
Artist Page, Slave Magazine, Melbourne 2004.
Store 5, Vol. 1 – Texts, ex cat., Anna Schwartz Gallery, Melbourne, 2005.
SELECTED BIBLIOGRAPHY AND CITATIONS
|Rule, Dan. In the Galleries, The Age, 18 June 2011
Barnes, C. The Practice of Abstraction, ex. cat, Abstract Art, Roslyn
Oxeley9 Gallery, Sydney 1999.
Barnes, C. Exhibition as Material Proposition, Broadsheet Vol. 20, No. 4, 1991.
Barnes, C. The Identity of Art, ex. cat, Octopus, University of South Australia Art Museum 1992.
Barnes, C. Store 5, ex. cat, Institute of Modern Art, Brisbane 1994
Barnes, C. Elaborating the terms, The practice of abstraction in some
recent art, ex. cat, Geometric Painting in Australia 1941 – 1997,
University Art Museum, University of Queensland, 1997.
Clark- Coolee, B. The Silence of Painting ex.cat, Sarah Cottier Gallery, Sydney 1996.
Crawford, A. The Herald 16 May 1989.
Cramer, S. ex. cat, 200 Gertrude St, Melbourne 1994.
Cramer, S. ex. cat, Primavera, Museum of Contemporary Art, Sydney 1995.
Cruikshank, A. ‘21st Century Modern’, Interview with Linda Michael, Broadsheet, Vol. 35, No. 1.
Heathcote, C. The Age 19, June 1991.
James, B. The Age,18 October 1995.
James, B. The Sydney Morning Herald, July 17 1999.
Khan, J. ‘Anne-Marie May’, 21st Century Modern, 2006 Adelaide Biennial of Australian Art.
King, N. The Subversive Stitch, ex. cat, Monash University Museum of Art, Melbourne, 1991.
Kleinert, S. On the idea of Being Subversive, Craft NSW, Koop, S. Art & Text No. 48 1994.
Lang, R. Language Faith and Possibilities, ex cat, 200 Gertrude St Melbourne 1991.
McNamara, A. Ornamentalism, ex cat, Institute of Modern Art. Brisbane, 1997.
McKenzie, R. ‘The Local Group. Store 5 1989 – 1993.’ ex cat., Pitch
your own tent, Monash University Museum of Art, Melbourne, 2005.
Michael, L. Anne-Marie May at Heide II, ex cat, Heide Museum of Modern Art, Melbourne 2004.
Murray, K. Contemporary Twists, Craft Victoria, October/ November 1991.
Murray, K. foreword and interview, ex. cat, Anne-Marie May, 2002.
Rooney R. The Weekend Australian February 26-27 1994.
Smith, A, Things extreme and Scattring Bright, ex. cat, The Crystal Chain Gang. Auckland Art
Stanhope, Z. Interview, ex. cat, Heide Museum of Modern Art. Melbourne 2004.
Sullivan, E. ‘Modernism is back’, Art Monthly Australia, No. 190, June 2006.